Saudagar amitabh tv#

On one hand wanting to do good by his daughter, getting a high bride price so he can start a savings account for her and on the other hand complicit in the exploitation of another womanвЂ™s emotional and physical labour, while reducing his own daughter to a beast that requires control. Instead PhoolbanoвЂ™s father has great admiration for MotiвЂ™s вЂstraight talkвЂ™ and agrees that heвЂ™s the right man for Phoolbano because heвЂ™d be able to вЂcontrolвЂ™ her. One would imagine that any normal father would chase such a suitor off with a stout stick. As soon as the season changes and the sap runs dry, I will divorce Majubi.вЂќ When PhoolbanoвЂ™s father tries to break the вЂengagementвЂ™, refusing to send his daughter as MotiвЂ™s second wife, Moti makes a chillingly unabashed confession,В вЂњIn the winter as long as there is sap in the trees and my body needs warming, Majubi will stay with me. The вЂbro codeвЂ™ that holds up patriarchy and вЂcontrolвЂ™ of women She voluntarily diminishes her role in his success, calling it her вЂMiyanвЂ™s GurвЂ™. She becomes his chief ally and cheerleader even suggesting ways in which to make the Gur tastier. She never once complains over the ever increasing pots of sap that Moti brings in. She sleeps with him at night and by day, all day, she slaves over the Gur cooking on open fires. She cooks and cleans and turns the pigsty of a bachelorвЂ™s quarters into a home. Unlike slaves who were incentivised by fear of violence, Majubi does it for the most powerful driver, love. Moti rents more and more trees to tap and drives Majubi to work harder than ever into producing even more Gur. ДЄnd just like that Moti the expert tapper cleaves away at the hard exterior of Majubi and drives his spiel into her vulnerable, tender heart to drain her of her life blood. She, who is so sharp and savvy when it comes to money, finds herself weak in the face of praise and hope that here is one person who perhaps sees her true worth and her instinct and resistance crumble in the face of it. Loneliness and a hard life have prematurely aged Majubi.

Saudagar amitabh tv#

And so we learn to drink beer and scream at the TV screen and delude ourselves into believing that we are this cool girl, superior to other girls. She falls for the same trap that many of us have at one time or another, when we are told we are not like other girls- They are so silly, you are so smart, you are so cool, no other girls likes football or cricket or whatever else the man wishes to groom us for. At first Majubi is dismissive, but when Moti compares young girls to raw sap and Majubi to the earthy toddy of fermented sap or the complex sweetness of Nolen Gur, Majubi is entranced. On a cold winterвЂ™s night, Moti knocks on MajubiвЂ™s door to propose marriage to her.

Netting the woman who can make gur worth its weight in gold And so, Moti the Saudagar hatches a nefarious plan. MotiвЂ™s resentment peaks when he falls in love with the lissome young Phoolbano (Padma Khanna), but cannot afford princely Rs.500/- meher or bride price her father demands. Majubi is very firm about her worth and in her struggle to eke out an existence, Majubi has no time/ interest in MotiвЂ™s fripperies.

The father-son conflict never gets tilted.Never miss real stories from India's women. But they never allowed their reverence to come in the way of keeping the plot and characterizations balanced. Like the rest of the humanity from the entertainment industry, the Big B and director Ramesh Sippy were in awe of the mighty Dilip Kumar. This was one of Dilip KumarвЂ™s last really great performances. This is a far superior screenplay to the duoвЂ™s other celebrated Bachchan films including Zanjeer and Deewaar. The sheer velocity of the screenplay, the structuring of the father-son conflict, the deeply contoured sketching and execution of the characters as they hurl towards an amazing nemesis, simply make Shakti the most powerful script that the awesome twosome Salim-Javed ever wrote. And itвЂ™s not just about the historic union of the mighty Dilip Kumar with his greatest successor Amitabh Bachchan. Shakti (1982): Though Sholay continues to be Ramesh SippyвЂ™s signature work it is to many of his admirers an inferior work to Shakti which he made 7 years after Sholay became a landmark and benchmark for successive generations of Indian filmmakers.